Isai Jess Muñoz, Tenor

This Just In...

"Finest of the comic crew [in Cavalli's Giasone] was tenor Isai Jess Muñoz in the decidedly non-PC role of stuttering hunchback Demo, whose rambling aria recounting his 'death' during a shipwreck was the evening's funniest moment."

-James Jordan, NEW YORK POST

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"Isai Jess Muñoz elicited laughs as the hunchback Demo... Crucially, deftly navigated the boarder

between slapstick and genuine emotion."

- Vivian Schweitzer, THE NEW YORK TIMES

Page 5

"Enjoyable details, the mincing regalness of Basilio played by Jess Muñoz."

-Thomas May, Opera Now

Page 2

"He adds so much fun to the comedy, the opera would certainly be lacking without him."

-Barbara Stinson Lee, The Herald Journal

Page 3

"Supported by a strong cast, notably Isai Jess Muñoz as Sancho Panza."

-Christy Karras, The Salt Lake Tribune

Page

"Full of soul and emotion, his characterization is true to the task. patrons wished more could be heard from him."

-Jay Wamsley, The Utah Statesman

Page 6

"Muñoz's Sancho Panza is more than I've often seen of this character. He captures the audience and

there is no doubt that all is as he sings it." -Barbara Stinson Lee, The Herald Journal

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"Isai Jess Muñoz lends Demo powerful voice and comical personality."

-Haveuheard.net

PAge 8

"Isai Jess Muñoz made a memorable Mutt-and-Jeff hunch-backed Demo."

- Paul Pelkonen, Super Conductor

Page 7

"Isai Jess Muñoz is hilarious as the rumor-mongering music teacher Basilio."

-Jaci Webb, The Billings Gazette

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"Tenor Isai Jess Muñoz as the hunchbacked Demo, whose artful stutter proved a literal show-stopper at every appearance, smoothly slipping from tenor to haute-contre territory and back." - Corinna da Fonseca- Wollheim, Classical Review

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"Isai Jess Muñoz sounded promising as Demo..."

- DeCaffarrelli, Parterre Box

ABOUT

Isai Jess Muñoz, tenor, has found success on both the operatic and the concert stage. A native of Orlando, Florida, he has impressed and delighted audiences with his extraordinary blend of warm and colorful voice, powerful stage presence and innate musicality.Mr. Muñoz has appeared with The New York City Opera, The American Symphony Orchestra, The American Composers Symphony at Carnegie Hall, The Utah Festival, The Cincinnati Opera, The Israel Philharmonic and New York City Center to name a few.Isai Jess has most recently been heard in the Center for Contemporary Opera's world premire of James Dashow's Archimedes, and Opera Omnia's celebrated production of Cavalli's Giasone of which the New York Post praised his performance calling him "Funniest of the comic crew in the decidedly non-PC role of the stuttering hunchback Demo." Mr. Muñoz began the 2010-2011 season with return engagements to Rimrock Opera and New York City Opera in productions of Carmen, The Marriage of Figaro and Barber's Antony and Cleopatra. In concert, he was seen in recital with The Verbier Music Festival of Switzerland and with Alvin Ailey Dance at New York City Center. Other engagements include a tribute to Academy Award Winner Ennio Morricone at Radio City Music Hall, the world premiere of Carl Maultsby's The Psalms of Ruby Redd (Off-Broadway) at AMAS, King Arthur directed by Mark Morris at Lincoln Center, and the New York premiere of Cavalli's Eliogabalo with Stony Brook Opera.Mr. Muñoz is the 2011 winner of the National Foundation for Advancement in the Arts' Alumni Career Grant for his contribution to the dissemination of Iberian and Latin American art song. A two-time winner of The Dayton Opera Guild Competition and grand prize winner of The National Orpheus Competition, Mr. Munoz, is a proud member of The American Guild of Musical Artists, Actors' Equity Association, and the American Federation of Television and Radio Artists. He can be heard on the complete recordings of Gilbert and Sullivan's Yeoman of the Guard, Kalman's Sari, Victor Herbert's The Red Mill, Pasatieri's The Seagull, and J.D. McClatchy and Frances Thorne's Mario and the Magician with Albany Records.Mr. Muñoz holds a Bachelor's degree in Vocal Performance and Acting from the Cincinnati College-Conservatory of Music, a Master's degree in Vocal Performance from The Manhattan School of Music, and the Doctorate in Musical Arts from SUNY Stony Brook where he studied with W. Stephen Smith of the Juilliard School.Muñoz is the son of Mexican and Puerto Rican parents. He is married to Oksana Glouchko of Tel Aviv, Israel, an accomplished coach/accompanist and private teacher. They live in Manhattan with their son, Giovanni.

SCHEDULE UPCOMING PERFORMANCESTenor Soloist in Handel's Messiah- December 3, 2011Brooklyn Contemporary Chorale - New York, NYIn concert with Voices of Ascension - December 18, 2011MET Museum of Art- New York, NYAmahl and the Night Visitors - December 17, 2011 VisitLittle Orchestra SocietyLincoln Center - New York, NYTenor Soloist in Monteverdi Madrigals - March 16, 2012 VisitPocket Opera - New York, NY
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Cavalli's Giasone with Opera Omnia - August 31 - September 8 VisitLe Poisson Rouge - New York, NY

Recent Performances

Past Performances

Alvin Ailey Dance American Composers SymphonyAmerican Symphony OrchestraAMAS Theatre Off-BroadwayBard Summerscape Festival Carnegie Hall Cincinnati OperaCollegiate ChoraleEdinburgh Fringe Festival Israeli Philharmonic Lincoln CenterMarble Collegiate ChurchNew York City OperaOhio Light Opera Radio City Music Hall Rimrock Opera Riverside Church Saint Ignatius of Loyola Stony Brook Opera Utah Festival Opera Verbier Music Festival Voices of Ascension

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REPERTOIRE

Opera

Concert

Musical Theatre

Cyrano- MontfleuryInto the Woods - The BakerMan of La Mancha - Sancho PanzaThe Mikado - Ko-KoPhantom of the Opera- Luigi PiangiSweeney Todd- Toby and Pirelli
A Midsummer Night's Dream - FluteAriadne auf Naxos - Die TanzmeisterCarmen - El RemendadoDer Kaiser von Atlantis - HarlekinDido and Aeneas - The SorceressEugene Onegin - TriquetEliogabalo - LeniaFalstaff - BardolfoFidelio - JacquinoI Pagliacci - BeppeLa Fanciulla del West - HarryLa Rondine - PrunierLa Traviata - GastoneLe Nozze di Figaro - Don Basilio/CurzioL'Elisir D'Amore - NemorinoMadama Butterfly - GoroManon - GuillotMario and the Magician - Mario/SandroNorma - FlavioRigoletto - BorsaThe Abduction from the Seraglio - PedrilloThe Impressario - Herr VogelsangThe Magic Flute - MonostatosThe Medium - TobyThe Seagull - MedvedenkoTosca - SpolettaTurandot - Pang
Bach - B Minor MassBach - Cantata BWV 95Bach - St. John PassionBach - St. Matthew PassionBernstein - Chichester PsalmsBritten - Serenade for Tenor, Horn and StringsHandel - The MessiahHaazen - Missa LubaHaydn - Die SchopfungHaydn - Mass in D Minor (Lord Nelson)Mozart - RequiemOrff - Carmina BuranaSain Saens - Oratorio de Noel
REVIEWS

REVIEWS

"Isai Jess Muñoz elicited laughs as the hunchback Demo... Crucially, deftly navigated the boarder between slapstick and genuine emotion." - Vivian Schweitzer, The New York Times<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Finest of the comic crew [in Cavalli's Giasone] was tenor Isai Jess Muñoz in the decidedly non-PC role of stuttering hunchback Demo, whose rambling aria recounting his 'death' during a shipwreck was the evening's funniest moment." -James Jordan, New York Post<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Enjoyable details, the mincing regalness of Basilio played by Jess Muñoz." -Thomas May, Opera Now<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"He adds so much fun to the comedy, the opera would certainly be lacking without him." -Barbara Stinson Lee, The Herald Journal<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Isai Jess Muñoz lends Demo powerful voice and comical personality." -Haveuheard.net<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Tenor Isai Jess Muñoz as the hunchbacked Demo, whose artful stutter proved a literal show-stopper at every appearance, smoothly slipping from tenor to haute-contre territory and back." - Corinna da Fonseca- Wollheim, Classical Review<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Isai Jess Muñoz made a memorable Mutt-and-Jeff hunch-backed Demo." - Paul Pelkonen, Super Conductor<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Muñoz's Sancho Panza is more than I've often seen of this character. He captures the audience and there is no doubt that all is as he sings it." -Barbara Stinson Lee, The Herald Journal<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Isai Jess Muñoz sounded promising as Demo..." - DeCaffarrelli, Parterre Box<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Full of soul and emotion, his characterization is true to the task. patrons wished more could be heard from him." -Jay Wamsley, The Utah Statesman<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<"Supported by a strong cast, notably Isai Jess Muñoz as Sancho Panza."-Christy Karras, The Salt Lake Tribune
TEACHING

TEACHING

Studio Information

Musical Theatre / Contemporary Vocalists

Classical Vocalists

Cantorial / Liturgical Vocalists

Teaching Philosophy

Policies / Procedures

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Isai Jess Muñoz, DMA

Dr. Isai Jess Muñoz is a dedicated and gifted teacher who has enthusiastically worked with a vast array of students- from young beginning singers to celebrity clients performing in music theatre, opera, and other varied areas of contemporary and classical commercial music. Maintaining a busy teaching studio in New York City, his students have appeared in the Broadway and National companies of many shows including, Annie, A Chorus Line, Chicago, Oklahoma, On the Town, Gypsy, Thoroughly Modern Millie, White Christmas, and on major recording lables including Sony, RCA, Atlantic, and Time Life.He previously served as voice teacher and director of the undergraduate opera and musical theatre workshop at SUNY Stony Brook, and on the voice faculty of Music Theater Bavaria in Germany for musical theatre and classical singers. As a guest lecturer and clinician, he has presented workshops on vocal technique and repertoire for universities and churches throughout the country. He holds a Doctorate of Musical Arts from SUNY Stony Brook and other advance degrees from The Manhattan School of Music and the Cincinnati College-Conservatory of Music.

For more information, or to schedule a lesson or masterclass, please use the menu bar to the left.

Teaching Philosophy

Other Teachers Say...

TEACHING

Teaching Philosophy

"From the amateur and recreational singer to the professional vocalist, my teaching is designed to help singers develop a sustainable vocal technique. The nature of the human voice is affected by every aspect of who we are -- our physical, emotional, intellectual, phsychological, and spiritual state of being. Thus many factors play a role into why one might sing poorly. But rather than complicating matters by focusing on all the 'no's' in singing, I aim to provide students with an unobstructed view of how healthy singing can be achieved.Realizing that there is no one singular methodology that accommodates the needs of every student, I present a variety of strategies all working to help singers strip away the entanglements that keep them from accessing their true voice. I partner with my students to remove any myths and confusions concerning vocal production, and to replace them with straightforward concepts that when applied, can lead to honesty and clarity in the singing and overall performance. As a result, the well-informed singer often comments on how happier they are in their personal life simply because they are able to express themselved more effectively through song." -Isai Jess MuñozThe teaching philosophy of Dr. Isai Jess Muñoz stems from his studies with the most renowned, international pedagogues. His teachers of voice include Richard Owens, W. Stephen Smith and Cynthia Hoffman of The Juilliard School, Mary Henderson-Stucky and Barbara Honn of the Cincinnati College-Conservatory of Music, and Mark Oswald of the Metropolitan Opera. In addition, his teaching is informed by his long-standing work with such noted conductors and directors as are Lorin Maazel, Zubin Mehta, Leon Botstein, Paul Gemignani, George Manahan, and Francesca Zambello.

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"It is very clear now from his record that Isai Jess Muñoz is an outstanding teacher of singing. His genuine devotion to those who work with him instills his singers with lasting confidence, as well as with sensitive and important technical knowledge. His incredible energy enables him to be attentive to a host of details in a student's performance, and his sharp ear makes him aware of the difference between that which is good and that which is great. I am proud to be a teaching colleague with Jess."

-Richard Owens, Founding Artistic Director, The American Institute of Musical Studies in Austria, and Professor of Singing at Rollins College

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Sacred

TEACHING

Cantorial / liturgical Vocalists

Jewish ArtistsAs an avid interpreter of Sacred song literature, Dr. Jess Muñoz welcomes students who have an interest in focusing on Judaic vocal repertoire. Having previously served on the music staff of New York's Park East Synagogue under Cantor Ytizchak Meir Helfgot, Isai Jess is well versed in the vocal demands that are placed on young cantors. Isai Jess has performed with such luminary Hazzan's as are Yaakov Stark, Yosseleh Rosenblatt, Azi Schwartz, Avraham Albrecht, Alberto Mizrahi and many other cantors. Dr. Muñoz, alongside Israeli pianist Oksana Glouchko, assists young cantors to develop voices that exhibit beauty, flexibility,and strength.Christian and Gospel ArtistsAs an ecumenical artist, Jess is well versed in most forms of Judeo-Christian musical styles. Students of Dr. Muñoz frequently sing within Gospel, Contemporary Christian, and various eclectic worship ensembles. Isai Jess has served on the music staff of New York's Riverside Church, Marble Collegiate Church, and is frequently engaged as a performer, consultant, and guest clinician for many of New York's sacred spaces.Jess is recognized nationwide as a specialist in Latin American Protestant Hymnody. His research on the oral traditions of this practice is of great benefit to its dissemination and preservation.
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Policies

TEACHING

Studio Policies / Procedures

VOICE LESSON POLICIES (Effective September 1, 2011)1. FEES -- $65 per hour lesson paid at each lesson with cash or check. No lessons are given on credit and no postdated checks are accepted. Any returned checks must be reimbursed with added fees. If you have more than two checks returned, you will be put on a cash only basis. Please discuss any extenuating circumstances with me.2. LESSON SCHEDULING All lessons are scheduled through email. The normal teaching schedule is Monday through Saturday from 10 am to 8 pm, September through June. Lessons can be scheduled no more than one month in advance. All lessons will be at the residence of Isai Jess Muñoz in Manhattan. To schedule a lesson, click on the following link:3. CANCELLATIONS -- Please notify me as early as possible if you will have to miss a lesson. If a lesson is missed without a minimum of 48 hours notice, you will be expected to pay for that lesson before receiving any other lessons.4. ACCOMPANIST -- For a $20 fee, a pianist and coach, Oksana Glouchko, is available to accompany. If a pianist is not available, you will be notified in advance so that you may plan to sing repertoire that I can play or make arrangements to bring your own pianist.5. PROMPTNESS -- If you are late, you should still expect the lesson to end on the hour. If I am running late, I will try to give you your full lesson time. Please allow for some time flexibility.MUSICAL EXPECTATIONIn all cases it is the exercises and vocalizations which play such an important part in building the voice and developing good vocal technique. This technique is gradually transferred to songs. Several short periods of practice a day are recommended in the beginning weeks of study, rather than one long period. It is recommended that students bring a high quality recording device so that each lesson can be recorded for use in daily practice sessions.

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Musical Theatre

Students say...

Page 1

"Jess Muñoz is the best voice teacher I have ever had. He understands how the voice functions more than anyone I know. With each lesson, I am able to sing with greater ease, assess all the areas that are troublesome, and enjoy what I am singing a whole lot more. His constant patience and understanding with me and my voice has helped me work consistently in the broadway musical theatre world. I recommend him to anyone looking to improve any aspect of their voice!"

- Tony Yazbeck

(Currently playing Billy Flynn in Chicago on Broadway)

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"Prior to studying with Jess, I felt very frustrated with my singing. I knew that I had the potential of a great singer, just not the means of acheiving it. With Jess' tremendous technical knowledge and profound gift for teaching, I've become more the 'singer' then I ever thought possible. Whether its musical theatre or opera, Jess has helped me not only to refine styles of singing but to also discover what my true singing voice is. He is a compassionate, sensitive teaching artist with the intellect to match, and I am very much thankful for his unparalleled enthusiasm, kindness, and commitment. I truly can say: I found my voice."

- Julien Touafek (Singer/ Songwriter)

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"Jess Muñozis by far one of the most skilled vocal teachers I have ever worked with. Students benefit from his many years of experience as a professional performer, and from his serious study of the voice through Doctoral research in performance and pedagogy. Jess thoroughly understands the science of singing and can provide specific information aimed to help people achieve their unique goals. Jess knows how to address upholding technique in my career singing the American Songbook, which requires contemporary and customized vocal demands. For these reasons, he is the only teacher I recommend. Don't walk to his studio - RUN!"

- Cory Benjamin (Classical Jazz Artist, Los Angeles)

TEACHING

Musical Theatre / Contemporary CommercialVocalists

For the musical theatre and contemporary commercial singer, Jess Muñoz presents a clear description of vocal technique that allows for much needed flexibility within genres and styles. Having first begun his career in the music theatre industry, an awareness of contemporary styles are innate in him. With formal studies in theatre from the Cincinnati College-Conservatory (CCM), Dr. Muñoz is aware of all the traps within the artist's emotionsal state of being that can encumber an authentic engaging performance voice of mannerisms and tricks.The ultimate goal is that students be able to produce healthy and communicative singing capable of telling the story. Though instructional methods are founded on classical principals, contemporary singers will find that they are able to achieve greater stamina, range, and versatility with Dr. Muñoz's straightforward and accessible approach to the physiological and physchological components in pursuing professional work, adequate support is available in terms of type appropriate repertoire and career advice.
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Classical

Students say...

Page 1

"Jess has a special way of relating to his students, and he has helped me so much to believe in my voice. I learned how to place my voice better and to bring the composers notes to life. Jess is passionate about music and to me music is passionate about him. Any student will be lucky to belong to his studio."

- Zoe Torres (Mezzo-Soprano, Ithaca College)

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"Jess has done more for my vocal ability and stage presence in one year than previous teachers have done for me over many years. Jess is always helpful, supportive, and encouraging. Most importantly, I know that Jess is someone I can always count on not only as a great teacher, but also as a good friend-- he has been there for me both personally and professionally, and I am grateful for that."

-Muntazim Mukit

Tenor, Stony Brook University

TEACHING

Classical Vocalists

For the classical vocalist, Dr. Muñoz strives to offer an environment of excellence in which the healthiest development of the vocal artist can be achieved. He sees that each student be nurtured as an individual and given the opportunity to attain a firm understanding of vocal pedagogy, lyric diction, song literature, performance practices, and all other aspects that help develop an expressive and sensitive singer. More importantantly, he aims to provide all of his students with information that will help them teach themselves. For the hobbyist interested in studying classical voice, Dr. Muñoz' desire is that they are able to acquire from the teachings of voice, skills that will serve them well in their daily endeavors. Many students profess to attaining a new-found confidence or simply a greater sense of calm upon studying voice.Whether your focus be on an operatic career, upcoming college auditions, or preparing to sing in your local chorus, Jess Muñoz will partner with you as you work to achieve your goal.

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STUDIO CONTACT

JESS MUNOZ STUDIO

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GALLERY

Production Photos

Sancho Panza -Man of La Mancha
Sancho Panza -Man of La Mancha
Basilio in Le Nozze di Figaro
Basilio in Le Nozze di Figaro
Basilio in Le Nozze di Figaro
Basilio in Le Nozze di Figaro
Basilio in Le Nozee di Figaro
Basilio in Le Nozze di Figaro
The Gondoliers
Goro in Madama Butterfly
Goro in Madama Butterfly
Goro in Madama Butterfly
Goro in Madama Butterfly
Goro in Madama Butterfly
Mario and the Magician- Thorne
Mario and the Magician- Thorne
Mario and The Magician- Thorne
Mario and the Magician- Thorne
Lenia in Cavalli's Eliogabalo
Lenia in Cavalli's Eliogabalo
Lenia in Cavalli's Eliogabalo
Lenia in Cavalli's Eliogabalo
Lenia in Cavalli's Eliogabalo
Dialoghi per le Passione
Die Lustige Krieg- R. Strauss
The Seagull- Thomas Pasatieri
Roman Fever- Francis Thorne
Sam in Street Scene
Remendado in Carmen Backstage
Harry in La Fanciulla del West
The Nose- Shostakovich
Cavalli's Giasone 2011
Cavalli's Giasone 2011
Cavalli's Giasone 2011
Cavalli's Giasone 2011
Cavalli's Giasone 2011

Press Photos

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WATCH

WATCH

Select a Title from the List Below

Del Cabello Mas Sutil- Fernando Obradors

Cosa Sento from Le Nozze di Figaro Utah Festival Opera

I Really Like Him from Man of La Mancha

Ko-Ko in the Mikado/ Tit Willow and There is Beauty in the Bellow of the Blast

Polo- From Siete Cancioness Populares Españolas by Manuel De Falla

Mas Que Nunca- Jaime Leon

Highlights: DMA Lecture on Latino Protestant Song

Vision Pastoral por Juán Romero

Emaús por Juán Romero

Alborrada por Juán Romero

Del Cabello Mas Sutil- Fernando Obradors

Cosa Sento from Le Nozze di Figaro Utah Festival Opera

I Really Like Him from Man of La Mancha

Ko-Ko in the Mikado/ Tit Willow and There is Beauty in the Bellow of the Blast

Polo- From Siete Cancioness Populares Españolas by Manuel De Falla

Mas Que Nunca- Jaime Leon

Highlights: DMA Lecture on Latino Protestant Song

Vision Pastoral por Juán Romero

Emaús por Juán Romero

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DOWNLOADS

DOWNLOADS / LINKS

Downloads

Reviews.pdf

IJMunozresume.pdf

Isai Jess Munoz Headshot.pdf

Links
Albany Records VisitArs Musica VisitBard Summerscape VisitThe Center for Contemporary Opera VisitThe Cincinnati Opera VisitCollegiate Choral of New York VisitIsai Jess Munoz on Myspace VisitThe Manhattan School of Music VisitThe Metropolitan Opera VisitNew York City Opera VisitThe Ohio Light Opera Visit The Spokane Symphony VisitThe University of Cincinnati-College Visit Conservatory of MusicUtah Festival Opera VisitVocalist.org Visit

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LISTEN

LISTEN

Damunt De Tu Nomes- Mompou

Domine Ego Credidi- SaintSaëns

Ach schlage doch- Bach BWV 95

Mas que Nunca- Leon

Benedictus- Bach B Minor Mass

I Really Like Him- Leigh

Damunt De Tu Nomes- Mompou

Domine Ego Credidi- SaintSaëns

Ach schlage doch- Bach BWV 95

Mas que Nunca- Leon

Benedictus- Bach B Minor Mass

I Really Like Him- Leigh

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CONTACT

CONTACT

Questions?

Please complete and submit the form below for performance inquiries, studio auditions or questions, and comments.

HOME

ABOUT

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MEDIA

REPERTOIRE

REVIEWS

TEACHING

Teaching Philosophy

"Enjoyable details, the mincing regalness of Basilio played by Jess Muñoz."
-Thomas May, Opera Now

"Isai Jess Muñoz is hilarious as the rumor-mongering music teacher Basilio."
-Jaci Webb, The Billings Gazette